The Saturday night pizza and bad movie was a black-and-white old-fashioned Kaiju flick that had just about everything—Godzilla crushing buildings in a couple of smackdowns with another monster, Japanese people running through Osaka, tanks firing futilely at monsters, and Japan’s finest fleeing the seaside. It was, alas! a little light on the story, but it was still fun.
Plot:
When dashing young pilot Shoichi Tsukioka (Hiroshi Koizumi) of Kaiyo Fishing spots a school of bonito, he radios in his position to base, so operator Hidemi (Setsuko Wakayama) can forward the information to the fishing fleet. He and Hidemi flirt. Her coworker Yasuko Inouye (Mayuri Mokushô) warns her that it’s against the rules, even if she is the boss’s daughter. Tsukioka and Hidemi make a date.
Another pilot, Kôji Kobayashi (Minoru Chiaki), radios to report engine trouble. He’s going to try to land near Iwato Island. Tsukioka changes course to rescue him. He finds Kobayashi’s plane. Kobayashi himself is on the beach, signalling, unhurt. Tsukioka lands and joins him. Before they can leave, a strange sound comes from behind some rocky cliffs. The two hide.
While rocks and dirt fall around them, they witness Godzilla (Haruo Nakajima) fighting another monster (Katsumi Tezuka). The earth trembles. The new monster is a quadruped with back armor reminiscent of a rubber-pronged curry brush. They tussle and eventually (*SPLASH*) crash into the sea.
Back in Osaka (can’t let Tokyo have all the fun), the two pilots, looking a bit worse for wear, sit before a board of important-looking men at Osaka Police Headquarters. Some are in uniform. The zoologist Dr. Tadokoro (Masao Shimizu) asks the two pilots to thumb through picture books of dinosaurs to see if they can identify the monster Godzilla fought with. When they settle on a picture, Dr. Tadokoro names the beast Anguirus, a particularly aggressive critter.
Dr. Yamane (Takashi Shimura) shows the assembly a soundless film of the earlier attack on Tokyo, so the important men know what they’re up against. The inventor of the device that took out Godzilla last time has passed away, so there are no remedies should the monster return. (Come on, guys. Wasn’t anyone taking notes?)
Dr. Yamane says Godzilla appeared to react to bright light during his last attack, perhaps as a reminder of the nuclear bomb. He suggests using drop flares to lure him out to sea and issuing evacuation and blackout orders for the coast.
They put their plan into effect when a pilot spots Godzilla swimming toward Osaka. It seems to be working until Anguirus shows up, perhaps drawn to the same lights meant to drive Godzilla away. Osaka isn’t big enough for the two of them, and they pick up where they left off on Iwato Island.
One casualty is Osaka Castle:
In the meantime, some prisoners being transported overwhelm their guards and steal a fuel truck. Uh-oh. So much for that blackout.
Thoughts:
We borrowed a Japanese-language version with English subtitles from the library. There is an English-dubbed version titled Gigantis, the Fire Monster, released in 1959. It was shown as a double feature with Teenagers from Outer Space (1959) back in the day.
This film has a reputation as a slapdash attempt to cash in on the popularity of 1954’s Godzilla. This view is not without virtue. The movie echoes the theme of monsters resulting from continued nuclear testing, but does not develop it further. While the acting is solid—especially from the leads—few of the characters grow or learn anything.
On the other hand, the addition of another monster is a nice idea. That they battle each other, rather than stomp on Japanese cities, introduces another wrinkle. Why they fight is never explored. The two main characters, Tsukioka and Kobayashi, appear to have a genuine friendship. They are average Joes, not military leaders, scientists, or politicians. Yet, they end up being among those who finally deal with the menace of Godzilla.
During the monster attack, Hidemi is safe in a blacked-out house in the hills above the city. After the stolen fuel truck runs into a refinery and sets off a series of explosions, she looks out the window and sees what appears to be a mushroom cloud in the distance.
I imagine this would be particularly haunting to a population that experienced nuclear attacks barely ten years earlier.
If your Japanese is as rotten as mine (that is, nonexistent), reading the subtitles takes a little effort, but I found it worth it. There are cute scenes and disturbing scenes. After Tsukioka returns from facing death on Iwato Island, he tells Hidemi, “All I could think of was you.”
I guess that means they’re engaged.
There is also a scene with a ballroom dance and a legendary drinking dinner with singing.
I haven’t watched Gigantis, the Fire Monster. However, the clips I have seen have pretty much satisfied my curiosity. For some reason, the filmmakers decided to rename Godzilla Gigantis. Stock footage of missiles and Japanese farm workers is cut into it, along with a mind-blowingly insipid narration by Tsukioka’s character. That’s not to mention the dash of jingoism.
While the 1955 Japanese version Godzilla Raids Again may be lackluster at worst, the 1959 Gigantis, the Fire Monster is vapid. Subtitles over snores.
I couldn’t find a free way to download it, though it’s available on some subscription services. If you’re interested in seeing the movie, I’d try the library.
Title: Godzilla Raids Again (1955) Original title: Gojira no gyakushû
Directors:
Motoyoshi Oda
Ishirô Honda
earlier film clips (uncredited)
Writers:
Takeo Murata
&
Shigeaki Hidaka
Shigeru Kayama…novelization
Ib Melchior…original story (“The Volcano Monsters”, American version)
Ed Watson…original story ( “The Volcano Monsters,” American version)
Cast: (in credits order)
Hiroshi Koizumi…Shoichi Tsukioka
Setsuko Wakayama…Hidemi Yamaji – Koehi’s Daughter
Minoru Chiaki…Kôji Kobayashi
Takashi Shimura…Kyohei Yamane-hakase
Masao Shimizu…Zoologist Dr. Tadokoro
Released: 1955
Length: 1 hour, 18 minutes











